The new CD is here!

My newest release, Jim Alfredson’s Dirty Fingers – A Tribute to Big John Patton, has arrived from the duplicators.  It looks really great!  Designer Rick VanderLeek did an amazing job.  The photographs from Jessica D. Cowles are vivid and full of energy.

The news CDs are here!  The new CDs are here!

The news CDs are here! The new CDs are here!

I’m very excited about this release.  The music is classic 60s soul-jazz with a group of incredible musicians.  Big John’s compositions and playing are a huge influence on me and he has not received the recognition he is due.  I hope this releases helps mitigate that a little.

A match made in heaven.

A match made in heaven.

The last step in this process is to duplicate the DVDs, which I am doing locally.  The DVD is an extra add-on that will be slid into the pocket of the CD package, along with the liner notes. I decided upon this route to save some money.  Having two trays in the packaging would be expensive and I was also worried about those that didn’t order the DVD seeing that extra tray and assuming something was missing.

Shipping to all Kickstarter backers should be done by the end of the week.

The CD is already getting airplay around the country.  Here’s a little taste for those that may have missed it the first time around.

My next project is a departure from the jazz thing.  Its a progressive rock album of original material with me singing (and playing keys, obviously).  More about that soon.

Genesis – In The Cage (solo section)

I first heard The Lamb Lies Down On Broadway towards the tail end of my sophomore year in high school.  This would’ve been 1993 or so.  My eldest sister got me hooked on Genesis and Peter Gabriel and Phil Collins and it was her collection of tapes and CDs that I listened to.  I also dubbed them rabidly, so I could block out the world during the excruciating 40+ minute bus rides to and from middle and high school with my headphones and my WalkMan.  I started listening to Gabriel, thanks to her, in third grade. By high school I had heard almost every Genesis album except The Lamb.

She held The Lamb back from me due to its more pronounced adult themes, ie Counting Out Time.  I remember her handing it over to me like it was some sort of Rite of Passage. Maybe it was.  I listened to it almost daily for two years, attempting to decode the various mythological references and figure out the meaning of the story.

The Lamb Lies Down On Broadway

The Lamb Lies Down On Broadway

I became obsessed.  I probably scared numerous people away; certainly plenty of girls. But I didn’t care.  The music was captivating and atmospheric.  Tony Banks’ keyboards sounded other-worldly and Gabriel’s lyrics labyrinthine.  Phil Collins’ drums parts were perfectly played, Mike Rutherford’s bass and pedals and guitar serpentine, and Steve Hackett’s solos just soared.  But as any Genesis fan will agree, one solo stood out among them all:  The keyboard solo from “In The Cage”.

It encapsulates the sound of 1970s progressive rock in so many ways.  The Hammond organ, the analog synth lead sound courtesy of an Arp ProSoloist, the rhythmic and harmonic compositional qualities inspired by classical music… it’s all there.  Genesis immediately recognized how iconic it was.  They kept it in their live set, usually as part of a medley, up through the very last tour in 2008.

I’ve always wanted to learn that solo and I’ve been playing around with it for a few months. So tonight I decided to give it a go.

I played a couple little flubs, but not so bad.  It was immensely fun to take everything apart and figure out how it all goes together.  The chord sequence is classic Banks.  I used my Hammond SK2 as both an organ and a MIDI controller.  The lower manual is for the organ chords, played with my left hand.  The upper manual is MIDI’d to my Moog Voyager for the monophonic lead synth part.  The backing track is a MIDI file I found on the internet.

Banks once commented that he wasn’t much of an improviser. I consider myself a good improviser due to years of playing jazz but a challenge for me is to sit down and compose a solo like Banks. I’m currently working on a progressive rock album that features some through-composed solos alongside improvised solos. I plan to finish that project in early 2014.

I hope you enjoy the video!

Mini Vent review pt II – Hammond SK2

In part two of my review of the Mini Vent for organ from Neo Instruments (little brother to the original Ventilator), I connect the Mini up to the Hammond SK2 digital organ to demonstrate how the it sounds with a modern clonewheel.

As you can hear, the Mini Vent sounds fantastic and will breathe new life any clonewheel, including older models.  When paired with the Hammond SK2, it really shines.

 

Hammond Hall Of Fame voting open now!

Hammond is creating a Hall Of Fame and inducting the freshman class.  And you can vote! They’ve compiled an impressive list of nominees.  Check out their FB page for more infomation.

HoF_Homepage_Banner012

https://www.facebook.com/HammondOrganUsa?sk=app_190322544333196&ref=s

They are even offering prizes like t-shirts and the new Leslie pedal.  The list of nominees includes musicians from all genres of music.  Check it out!

Neo Instruments Mini Vent review

I’ve completed my initial review of the new Mini Vent from Neo Instruments.  For the review, I connected the Mini Vent to my 1954 Hammond C2.  I will do another video soon with the Mini Vent connected to the SK2 and/or XK3.

I’m very impressed with unit.  A full written review will also come soon.

I hope you enjoy the video.

10/8/2013 Addendum:  In the video I state that the difference between the Mini Vent for organ and the regular Mini Vent (voiced for guitar) is that the guitar Mini Vent lacks the amp simulation.  This is incorrect.  From Guido Kirsch at Neo Instruments:

Although seems logical and I had planned it this way, Gary Gand convinced me that for lead playing the cab sim is essential and he absolutely wanted it. So the 2 programmable parametersi n the guitar Mini Vent are Cab Sim on/off and Drive Intensity. Other than that the differences are in the fixed Speed / Acceleration and Balance settings.

 

So there you have it. I also received permission to post some of the new features of the upcoming Ventilator II pedal, which you can read in the comments below.  The features I list are the ones which will definitely be in the pedal.  Guido has a list of others he is considering but didn’t want me to publish as they may change.

Getting closer…

I’m really excited that another project is almost coming to fruition.  My tribute to Big John Patton is in the final production stages and should be sent to the duplicators early next week.  I posted another video from the upcoming companion DVD on the ol’ YouTubes.

This clip features just the trio of myself, Ralph Tope on guitar, and Randy Gelispie on drums.  Listen to that ride cymbal work.  Randy is the walking definition of ‘master’.

The trials and tribulations of the modern music biz

Just received this notice in my email:

Thank you again for your generous contribution to Pilgrimage Recording. Without you, we would not have been able to release such a magnificent recording as Dr. Lonnie Smith’s In the Beginning.  Because of your contribution, Pilgrimage was able to produce In the Beginning as a double-CD, a soon to be realized vinyl LP, posters, and live appearances with the Octet. We are ever grateful, and write to extend our deepest thanks for your patience and support.

Unfortunately, there have been significant challenges in producing the In the Beginning DVD, and we are substituting that portion of your Kickstarter package with an equally exciting and valuable reward.  Each of you will receive two (2) tickets to one of Doc’s upcoming shows so that he can meet you and personally thank you for your participation in this project. All that is required is that you inform us at pilgrimagerecording@gmail.com of the show date, place, and time that you will be attending, and the rest will be taken care of. You can check the tour dates here:

http://drlonniesmith.com/tour/

Come back and check often as these are updated regularly.
We hope you are enjoying the music. You had a big part in making it all happen!

I still have yet to receive anything beyond a poster (a rather nice one at that, signed and all).  They did post access to some mp3s to download but I must have missed the notification email as I didn’t realize that until checking the Kickstarter page just now and the download window has passed.  Oh well.  I don’t really want downloads, I want what I paid for, ie a vinyl copy of the album and the DVD (on vinyl… just kidding).  But now the DVD isn’t happening.

In The Beginning - Dr Lonnie Smith

In The Beginning – Dr. Lonnie Smith

I feel sympathy for the good Doctor because I doubt much of this is in his control. Whatever team he put together to manage this thing has done a poor job.  In the 18 months since his Kickstarter began and ended, I’ve produced, by myself, one CD with bonus materials (the organissimo Kickstarter) and I’m about to put the finished touches on another CD and DVD project (the Big John Patton tribute) which will go to the duplicators by the end of next week at the latest.  It should be noted that the Smith project raised as much money as both of my projects put together.

In regards to the DVD, perhaps the producers bit off more than they could chew.  Two nights to record an album’s worth of material and produce a high-quality DVD with a large band in front of an audience?  That’s ambitious, to say the least.  I wonder if they did multiple takes of anything, which is always odd to do in front of an audience, but sometimes undeniably necessary.  The only way I captured the wealth of material I did over our three days of recording the Patton tribute was by multiple takes of almost every song.  But we didn’t have to worry about a studio audience growing bored out of their minds (“This song AGAIN?”) or witnessing our turpid failings as musicians (which is fully documented in the complete sessionography).

What I would do as the producer(s) of this project is level with the backers and explain why it has taken so extraordinarily long to fulfill their obligations, what unforeseen hardships and obstacles they’ve run into in the process, and exactly why the DVD isn’t happening.  This would serve two purposes:  It would save face and hopefully generate a bit of sympathy towards the people involved instead of simply leaving us hanging with confusion and indignation.  And it would also serve as a valuable learning tool for other people considering doing something similar.  Crowdfunding and self-producing multimedia products seems to be, for better or worse, the Brave New World of the music business and those of us out here attempting to do the same thing can use all the advice we can get.

I love you, Dr. Lonnie!

I love you, Dr. Lonnie!

That said, none of this diminishes in the least my respect and love for Dr. Lonnie Smith. He’s one of the masters.  I’ll support him again in a heartbeat.  And he even listed me as A Friend Indeed on his website and possibly in the CD, so I feel a bit awkward posting this. But it is my hope that this experience can serve as a learning tool for other musicians out there on the trials and tribulations of self-producing your own material.  I know I learned a lot from my first Kickstarter (we shipped three months late after all), knowledge that I applied to my second (and we should be shipping on schedule this time!).  Here’s hoping the Doctor’s team will let us in on the backstory so we can all learn and hopefully laugh at the absurd but unfortunately necessary situation of producing your own content.

Complete Sessionography

Someone over on the organissimo forums asked for the complete sessionography for the Patton tribute recording sessions.  If you’re curious what songs we recorded and how many takes on what days, have a gander.

organissimo discussion form

All in all, 19 songs were tracked for this project between the original session on February 24, 2013 that initiated the Kickstarter and the three day August 2013 sessions.

New CD available for pre-order

In case you missed participating in the Kickstarter, my new CD is now available for pre-order.  Jim Alfredson’s Dirty Fingers – A Tribute To Big John Patton also has a companion DVD, which you can order as an add-on.  Click here to pre-order the release!

The trio in the studio, tracking material for the new CD.  Aug 24, 2013

The trio in the studio, tracking material for the new CD – August 23, 2013.  Jim Cooper, Ralph Tope, and Jim Alfredson.

The CD is just under 60 minutes long with nine songs, seven from Big John Patton’s extensive catalog, running the gamut from boogaloo to swing to funk to latin.  The disc is rounded out by a beautiful rendering of the modern standard My Valentine (written by Sir Paul McCartney) and an original by your’s truly dedicated to Patton called Gentle John.

The DVD will feature footage of the sessions and a couple bonus songs not on the CD.  Here’s a taste of the DVD.

I’m very proud of this disc and excited about it’s release.  It has been a lot of work to get the music and video together but it will be worth it.  The music sounds fantastic and watching the musicians in action is really enjoyable.  Did I mention who is on the disc?  Ralph Tope on guitar (featured on organissimo’s Dedicated), Mark Kieme on saxophones, Dwight Adams on trumpet, Jim Cooper on vibraphone, and the inimitable Randy Gelispie on drums.  It was a true pleasure and honor to work with them.